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FESTIVAL 4+4 DAYS IN MOTION AT JATKA78

Přidané : 09.08.2015 10:50
4+4 DNY V POHYBU NA TICKETPORTAL.CZ
Festival 2015

4+4 DAYS IN MOTION
20th INTERNATIONAL FESTIVAL OF CONTEMPORARY ART
October 2-10, 2015
FESTIVAL'S PERFORMANCES
AT JATKA78

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Jonathan Capdevielle: ADISHATZ / ADIEU
03.10.2015 19:30 (So) JATKA78, Holešovická tržnice - hala č. 7 a 8, Praha TICKETS Jonathan Capdevielle: ADISHATZ / ADIEU

Conception and performing: Jonathan Capdevielle
Light: Patrick Riou
Stage manager: Christophe Le Bris
Sound manager: Johann Loiseau
Artistic collaboration: Gisèle Vienne
Artistic consultant: Mark Tompkins
Audio assistance: Peter Rehberg
Touring artistic assistant: Jonathan Drillet
Production: Bureau Cassiopée - Anne-Cécile Sibué-Birkeland
Administration and touring: Bureau Cassiopée - Léonor Baudouin and Manon Crochemore 

With the participation of ECUME university choral group of Montpellier (FR)
Musical direction: Sylvie Golgevit
with Paco Lefort, Jean-Luc Martineau, Pierre-Yves Bruzzone, Olivier Strauss, Benoit Vuillon 

He can be man and woman, child and adult.
The multi-talented French performer Jonathan Capdevielle spent his adolescence learning to imitate pop icons and to sing their most famous hits from the 1980s, especially those by Madonna.
Adishatz / Adieu is Capdevielle’s self-portrait, a kind of "auto-fiction” possessing an immense performative force. Although we encounter all kinds of people during the show, Capdevielle introduces us mostly to himself in a captivating manner using ingenious transvestite costumes. In women’s clothing, he can express both elegance and vulgarity, loneliness and sensitivity, attractiveness and sorrow. This performance on the vulnerability of adolescence also receives some of its forcefulness from a male choir from Montpellier’s ECUME University.
Capdevielle’s original project uses both traditional folk music from the Pyrenees and recent pop-cultural fantasies, bringing to life memories of childhood and a past that has helped to define the artist’s identity.
In French with Czech subtitles / Duration: 70 min

Jonathan Capdevielle (France)
French puppeteer, dancer, singer, and unconventional artist Jonathan Capdevielle has been creating his solo projects since 2006, gaining Europe-wide acclaim primarily in the past five years with Popydog (2011) and Spring Rolle (2012). Adishatz / Adieu is his most daring work yet. Usually a theatre actor, Capdevielle played one of the lead roles in the French-Austrian cinematic comedy Boys Like Us (2014). His most recent performance is the equally autobiographical Saga, which had its premiere in February 2015.

In frame of TransARTE programme
Initié par l’Institut français, le programme TransARTE favorise la circulation et la promotion des formes de création nées de l’hybridation des processus et des disciplines artistiques, qui élargissent aujourd’hui les frontières du contemporain.
Conçu comme un label, ce programme innovant a été lancé en 2012 en Europe et en Amérique Latine et se développe désormais avec de nombreux partenaires à travers le monde.
www.institutfrancais.com

Coproduction: Centre Chorégraphique National de Montpellier Languedoc Roussillon dans le cadre de ]domaines[ (FR), Centre Chorégraphique National de Franche-Comté à Belfort dans le cadre de l’accueil-studio (FR) and BIT Teatergarasjen, Bergen (NO).
With the support of Centre national de la Danse (FR) for the studio during rehearsals

Thanks to: Aurélien Richard, Mathieu Grenier, Jean-Louis Badet, Barbara Watson and Henry Pillsbury. With the help of DACM and the technical staff of Quartz, Scène Nationale de Brest Executive producer: Bureau Cassiopée
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COMPAGNIE KADIDI / Dorothée Munyaneza: SAMEDI DÉTENTE
05.10.2015 19:30 (Po) JATKA78, Holešovická tržnice - hala č. 7 a 8, Praha TICKETS Dorothée Munyaneza: SAMEDI DÉTENTE

Direction of production and diffusion: Emmanuel Magis, Anahi
Outside point of view: Mathurin Bolze
Light designer: Christian Dubet
Set designer: Vincent Gadras
Costume designer: Tifenn Morvan
Stage manager: Marion Piry
Production: Cie Kadidi

Cast: Mani Asumani Mungai (dance), Alain Mahé (music and improvisation), Dorothée Munyaneza 

"In Rwanda, Samedi Détente was the main event of the week. During this radio show, broadcast every Saturday, we listened to all kinds of foreign music. We danced, we sang, we memorized the songs - even though we didn’t understand half of the lyrics. On Mondays, we held competitions for the best act on the playground. It was a true ritual,” says Dorothée Munyaneza in introducing her personal story, which must have been so very difficult to share.
6 April 1994. Dorothée Munyaneza is 12 years old when her native Rwanda is drenched in blood. She still listens to Samedi Détente, but nearly all the friends and family members for whom she used to dance are dead. The young girl has to flee for Europe. It takes this musician and the author of several songs on the soundtrack to the Oscar-nominated film Hotel Rwanda 20 years to return to her carefree childhood.
Her stage presence is electrifying; she sings, dances, and tells her story, guided by primal desire after having survived genocide. Her voice, her movements, and her face are unforgettable.

Dorothée Munyaneza (Rwanda, France)
World-renowned French singer, author, musician, performance artist and choreographer Munyaneza originally hails from Rwanda. After spending 14 years in London, she now lives with her family in Marseille. Her film music debut on the soundtrack of the Oscar-nominated 2004 feature film, Hotel Rwanda.
She has been interested in music since childhood, and studied song and social work in the UK. Her professional introduction to the international music arena came with the album "Volume5-Anatomic,” on which she appeared as a guest of the multi-genre band Afro Celt Sound System. Her first solo album Earth Songs was release in 2010 (available on iTunes since 2012).
She often performs for humanitarian goals and also teaches with the South African social circus Zip Zap. She is passionate about social integration through music and art in general, and would like to one day establish a school of music for children and youth in her native Rwanda, which she regularly visits.
In French with Czech and English subtitles / Duration: 75 min

In frame of TransARTE programme
Initié par l’Institut français, le programme TransARTE favorise la circulation et la promotion des formes de création nées de l’hybridation des processus et des disciplines artistiques, qui élargissent aujourd’hui les frontières du contemporain.
Conçu comme un label, ce programme innovant a été lancé en 2012 en Europe et en Amérique Latine et se développe désormais avec de nombreux partenaires à travers le monde.
www.institutfrancais.com

Coproduction: Théâtre de Nîmes - scène conventionnée pour la danse, Théâtre La Passerelle - scène nationale de Gap et des Alpes du Sud, Théâtre des Salins - scène nationale de Martigues, L’Onde - Théâtre Centre d’Art de Vélizy-Villacoublay, Pôle Sud - centre de développement chorégraphie en préfiguration Strasbourg, Théâtre Jacques Prévert - Aulnay-sous-Bois, Le Parvis - scène nationale de Tarbes, Théâtre Garonne - Toulouse, Réseau Open Latitudes 2 avec le soutien du Programme Culture Europe, Théâtre de Liège, Théâtre de la Ville - Paris, BIT Teatergarasjen - Bergen

With the support:
Théâtre Le Monfort - Paris, la Friche Belle de Mai - Marseille, la DRAC PACA - ministère de la Culture et de la Communication, la SACD - musique de scène et de l’Association Beaumarchais, Arcadi Ile-de-France / dispositif d’accompagnements and ADAMI

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Ingri Fiksdal: NIGHT TRIPPER (Indoor Version)
09.10.2015 18:30 (Pá) JATKA78, Holešovická tržnice - hala č. 7 a 8, Praha TICKETS Ingri Fiksdal: NIGHT TRIPPER


Direction of production and diffusion: Emmanuel Magis, Anahi 
Concept: Fiksdal / Langgård / Becker
Choreography: Ingri Fiksdal
Music: Ingvild Langgård
Scenography: Signe Becker
Commissioned and Produced: Up To Nature

Dancers: Pernille Holden and Julie Solberg Musicians: Jørn Tore Egseth, Ane Marthe Sørlien Holen, Ingvild Langgård/Øystein Wyller Odden and Gunhild Mathea Olaussen 

"A journey into the dark corners of your soul. No drugs necessary.”
(Thomas Frank, art director of Vienna’s brut-Wien theater)
Two women brought together by a dark bond, two times long hair. Night Tripper, which usually starts after sunset, consists of several layers of meaning: a forest path, a concert performance, a ritual, and a social event. It takes the audience with it into the night time forest; you will even experience elements of voodoo.
The Prague performance features six performers, special  instruments, numerous art installations, and a 16-member Czech choir. It explores nature as an animist place of healing and destructive forces, a place of immanence and transcendence.
No language barrier / Duration: 70 min 

Ingri Fiksdal (Norway)
Norwegian choreographer Ingri Fiksdal is a researcher at the National Academy of the Performing Arts in Oslo. Her work has been shown at numerous international venues, including brut-Wien in Austria, Kampnagel and Nordwind in Denmark, The Armory Show in the United States, and In Between Time in Great Britain. In Norway, Fiksdal regularly collaborates with the Black Box theater, BIT-teatergarasjen, and Teaterhuset Avant Garden. Last January, her work was presented as part of the Advancing Performing Arts Project (APAP). Her performances usually are in part live concerts, and she always includes the audience in her works. 
www.ingrifiksdal.com 
 
A collaboration between: brut Wien, Black Box, In Between Time, Anti Festival and Maska
Co-produced by: brut-künstlerhaus (Vienna), Inbetween Time Productions (Bristol), ANTI festival (Kuopio) and Black Box Theatre (Oslo)
 
Supported: by Up to Nature, The Norwegian Arts Council, Fond for lyd og bilde and Fund for performing artists.

In frame of Norway Artway project
Supported by eeagrants.org
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